Page:Tales of the Unexpected (1924).djvu/233

From Wikisource
Jump to navigation Jump to search
This page has been proofread, but needs to be validated.
MR SKELMERSDALE IN FAIRYLAND
231

as she said, he fairly gave her the '’ump.' And then when, some time after, he let out to some one carelessly that he had been in Fairyland and wanted to go back, and when the thing spread and the simple badinage of the countryside came into play, he threw up his situation abruptly, and came to Bignor to get out of the fuss. But as to what had happened in Fairyland none of these people knew. There the gathering in the Village Room went to pieces like a pack at fault. One said this, and another said that.

Their air in dealing with this marvel was ostensibly critical and sceptical, but I could see a considerable amount of belief showing through their guarded qualifications. I took a line of intelligent interest, tinged with a reasonable doubt of the whole story.

'If Fairyland's inside Aldington Knoll,' I said, 'why don't you dig it out?'

'That's what I says,' said the young ploughboy.

'There's a-many have tried to dig on Aldington Knoll,' said the respectable elder, solemnly, 'one time and another. But there's none as goes about to-day to tell what they got by digging.'

The unanimity of vague belief that surrounded me was rather impressive; I felt there must surely be something at the root of so much conviction, and the already pretty keen curiosity I felt about the real facts of the case was distinctly whetted. If these real facts were to be got from any one, they were to be got from Skelmersdale himself; and I set myself, therefore, still more assiduously to efface the first bad impression I had made and win his confidence to the pitch of voluntary speech. In that endeavour I had a social advantage. Being a person of affability and no apparent employment, and wearing tweeds and knickerbockers, I was naturally classed as an artist in Bignor, and in the remarkable code of social precedence prevalent in Bignor an artist