untenable and, as it seems to me, preposterous claim recently put forward by him in the columns of a leading literary journal,[1] to be the discoverer of the first edition of Poe's Tamerlane, and to possess a sort of moral right of monopoly over it.
The facts are simply these, and had I been allowed, as in all fairness I ought to have been, to disclose them in the columns of the journal which gave insertion to Mr. Ingram's ex parte statement, I need not have troubled the reader with them here. First as to discovery. The only copy of Edgar Poe's 1827 volume at present known to have escaped destruction, came into the possession of the British Museum on the 10th October 1867, which date is (according to custom) officially impressed in red, at the end of the volume, i.e., at the bottom of page 40, under the last note.[2] I believe I am correct in stating that Mr. Ingram did not commence his work on the text of Poe until several years after this: it was certainly not until nearly nine years after that he communicated to the public his account of the "Tamerlane" volume, with extracts, first to Belgravia for June, 1876, and afterwards to the Athenæum for July 29, 1876. The extracts in the Athenæum were limited to four lines of verse, and an imperfect transcript of the title; but the paper in
