I began to play the variations of “Home Sweet Home.” The talking ceased and every patient sat silent, while my cold fingers moved slowly and stiffly over the keyboard. I finished in an aimless fashion and refused all requests to play more. Not seeing an available place to sit, I still occupied the chair in the front of the piano while I “sized up” my surroundings.
It was a long, bare room, with bare yellow benches encircling it. These benches, which were perfectly straight, and just as uncomfortable, would hold five people, although in almost every instance six were crowded on them. Barred windows, built about five feet from the floor, faced the two double doors which led into the hall. The bare white walls were somewhat relieved by three lithographs, one of Fritz Emmet and the others of negro minstrels. In the center of the room was a large table covered with a white bed-spread, and around it sat the nurses. Everything was spotlessly clean and I thought what good workers the nurses must be to keep such order. In a few days after how I laughed at my own stupidity to think the nurses would work. When they found I would not play any more, Miss McCarten came up to me saying, roughly:
“Get away from here,” and closed the piano with a bang.
“Brown, come here,” was the next order I got from a rough, red-faced woman at the table, “What have you on?”
“My clothing,” I replied.
She lifted my dress and skirts and wrote down one pair shoes, one pair stockings, one cloth dress, one straw sailor hat, and so on.
