The giant four-poster watched them contemptuously; mahogany cupboards wore an air of grave surprise; the gaping, open fireplace alone could have swallowed all his easels—almost, indeed, his little studio. This human, Irish presence was distinctly consoling—some extra hand or other, thought Dutton, probably.
He talked a little with the lad; then, lighting a cigarette, he watched him put the clothes away in the capacious cupboards, noticing in particular how neat and careful he was with the little things. Nail-scissors, silver stud-box, metal shoe-horn, and safety razor, even the bright cigar-cutter and pencil-sharpener collected loose from the bottom of the bag—all these he placed in a row upon the dressing-table with the glass top, and seemed never to have done with it. He kept coming back to rearrange and put a final touch, lingering over them absurdly. Dutton watched him with amusement, then surprise, finally with exasperation. Would he never go? "Thank you," he said at last; "that will do. I'll dress now. What time is dinner?" The lad told him, but still lingered, evidently anxious to say more. "Everything's out, I think," repeated Dutton impatiently; "all the loose things, I mean?" The face at once turned eagerly. What mischievous Irish eyes he had, to be sure! "I've put thim all together in a row, sorr, so that ye'll not be missing anny-thing at all," was the quick
