number of different physiological contrivances; for if the difference were really attributable to some structural peculiarity, then the range of sounds embraced in the call-notes and the sexual call of any given species, must be the measure of the capacity of its instrument; and no matter how great its power of imitation may be, it follows that it will only be capable of copying those sounds which fall within that range. There is plenty of evidence to show that the power of imitation is almost unlimited, at all events that it is not confined within such narrow limits as are here demanded. Hence it seems clear that the diversity of song is not to be sought in structure, but in some innate capacity to play one tune in preference to another; and if this be so, and if out of the same instrument, which has been primarily evolved to further the biological end of intercommunication, all manner of diverse sounds can be made to proceed, the problem of the origin of song is to that extent simplified.
We must next inquire into the nature of song, and endeavour to ascertain whether all the individuals of a species are alike proficient, or, failing this, whether there is any quality which can be observed to be constant under all conditions. I watch the Reed-Buntings in a marsh and find that there are three males occupying adjoining territories. Two of them are fully mature and their plumage is bright: that is to say the crown is black, the collar
