"There are enough still open to keep me busy," said Markham, pushing back his plate and calling for the check. He rose; then pausing, regarded Vance meditatingly. "Are you sufficiently interested to want to come along?"
"Eh, what? My word! . . . Charmed, I'm sure. But, I say, sit down just a moment—there's a good fellow!—till I finish my coffee."
I was considerably astonished at Vance's ready acceptance, careless and bantering though it was, for there was an exhibition of old Chinese prints at the Montross Galleries that afternoon, which he had planned to attend. A Riokai and a Moyeki, said to be very fine examples of Sung painting, were to be shown; and Vance was particularly eager to acquire them for his collection.
We rode with Markham to the Criminal Courts building and, entering by the Franklin Street door, took the private elevator to the District Attorney's spacious but dingy private office which overlooked the gray-stone ramparts of the Tombs. Vance seated himself in one of the heavy leather-upholstered chairs near the carved oak table on the right of the desk, and lighted a cigarette with an air of cynical amusement.
"I await with anticipat'ry delight the grinding of the wheels of justice," he confided, leaning back lazily.
"You are doomed not to hear the first turn of those wheels," retorted Markham. "The initial revolution will take place outside of this office." And he disappeared through a swinging door which led to the judges' chambers.
