to Heath and Snitkin. Then his gaze fell on Vance and me, who were standing a little behind the others, and he nodded stiffly.
No one spoke; yet I felt that an entire tragedy was somehow being enacted, and that each actor heard and understood every word.
Markham remained standing, as if reluctant to proceed. Of all the duties of his office, I knew that the arrest of malefactors was the most distasteful to him. He was a worldly man, with the worldly man's tolerance for the misfortunes of evil. Heath and Snitkin had stepped forward and now waited with passive alertness for the District Attorney's order to serve the warrant.
Spotswoode's eyes were again on Markham.
"What can I do for you, sir?" His voice was calm and without the faintest quaver.
"You can accompany these officers, Mr. Spotswoode," Markham told him quietly, with a slight inclination of his head toward the two imperturbable figures at his side. "I arrest you for the murder of Margaret Odell."
"Ah!" Spotswoode's eyebrows lifted mildly. "Then you have—discovered something?"
"The Beethoven Andante."
Not a muscle of Spotswoode's face moved; but after a short pause he made a barely perceptible gesture of resignation.
"I can't say that it was wholly unexpected," he said evenly, with the tragic suggestion of a smile; "especially as you thwarted every effort of mine to secure the record. But then . . . the fortunes of the game are always uncertain." His smile faded,
