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we determined to start forth quietly to within sight of the aboriginal encampment, with the twofold purpose of viewing the corroborie, and noticing if possible the whereabouts of the sheep. As the wind was blowing directly from the 'blacks' camp, and pretty strong at the same time, it was not a work of very great difficulty getting near it unheard; when, however, we had approached within about three hundred yards we deemed it prudent to get upon our hands and knees, and in that position worm ourselves through the long waving grass, as close as prudence would allow. We were beginning to become heartily tired of this mode of progression when, all at once, we found ourselves on the summit of an undulation, at the base of which the blacks camp appeared, brilliantly lighted up. The suddenness of this spectacle bursting upon our vision quite took our breath away, and it was some time before we became collected enough to note calmly that which we had come purposely to observe. We had reached not only to within sight of the savages, but we were quite near enough to hear them speaking plainly. At the moment of our arrival on the crest of the rise there was much talking and laughter going on, the stolen sheep doubtless being the theme.
We had not been viewing the proceedings in the camp long from our recumbent position when the aboriginal footlights, or fire, which served the same purpose, were freshened up, and the lyoors (who were seated in a semi-circle a short distance from the fires, and whose duties consisted in the orchestral portion of the performance) gave a few spasmodic thuds on the Mullangies[1] by way of calling the performers
- ↑ Mullangie, opossum-skin drum. This primitive instrument is formed by merely folding a cloak tightly up into a bunch. It is beaten by the open palm, and when struck emits short, dull thuds, which might issue as well from a much-beaten woolsack.
