- monizing it with loyalty to Cæsar is ever present to Virgil,
he cannot lose two qualities that make him the most modern of ancient poets—his love of nature and his pathos. As examples—of the former, it suffices to cite the charming harbor scene succeeding storm and wreck, in the first book; and, of the latter, the death-scene of the immortal twain, Nisus and Euryalus (in Book nine).
"Down falls Euryalus in death; over his beauteous limbs gushes the blood, and his powerless neck sinks on his shoulders; as when a purple flower, severed by the plough, pines in death, or poppies with faint necks droop the head, when rain has chanced to weigh them down. But Nisus rushes full on the foe . . . and dying robs his foe of life. Then he flung himself on his breathless friend, pierced through and through, and there at length slept away in peaceful death.
"Happy pair! if this my song has ought of potency, no lapse of days shall efface your names from the memory of time, so long as the house of Æneas shall dwell on the Capitol's moveless rock, and a Roman father shall be the world's lord."
The Story
The story on which Virgil builds is, briefly, the fall of Troy, the voyaging of Trojan refugees under Æneas, and the successful wars of Æneas with Italian barbarians.
According to the ancient legend the Greeks had warred ten years under Troy's walls, because the Trojan prince, Paris, having awarded the prize of beauty to Venus as against Juno and Minerva, and, having been promised as reward by Venus Helen the beautiful wife of the Greek Menelaus, had eloped with that fatal beauty to Troy, and his father King Priam had refused to make restitution.
The story then, as related by Æneas to Queen Dido in her palace at Carthage, takes up (in the second book of the Æneid) the downfall and destruction of Troy, with the escape of Æneas, his father and son, together with a band
