The Messenger is one of the spheres in which our lady writers who are musicians can make themselves known. It is greatly to the credit of Miss Tilghman that she assumed the management of such a magazine. She is the only Afro-American woman who edits a paper devoted to the musical elevation of our race. Her knowledge of music and musical people enables her to treat in an intellectual way all subjects pertaining to the musician's welfare. Not only does The Messenger give light to the musical world, but its editor often turns the light on our moral actions, and advises the Afro-Americans in a most practical way. She says to them: "Stand fairly and squarely for the race to which you belong, and whenever there comes a moment when principle and money clash, then stick to principle and let the money go; and in the end you will reap a rich reward." The Richmond Critic pays her this tribute: "We have received a copy of The Musical Messenger, edited by Miss A. L. Tilghman. It is a perfect sheet, of good form, and we congratulate the editor, and hope our people will take advantage of this opportunity to learn something of music." Miss Tilghman can accomplish much in her sphere. She is a woman of great energy, and it naturally follows that The Messenger must and will be supported.
She has for an associate in her editorial work, the well-known Lucinda Bragg Adams. Whatever may or may not be the success of The Messenger, its associate editor is a valuable acquisition to the staff. Born of Mr. and Mrs. George F. Bragg in the city of Petersburg, she early began and continued the study of music until she became highly proficient.
She is a woman of indomitable will, and a writer of superior ability. She has contributed to the leading magazines of our race during her life, upon various newspaper topics. An article upon music was published in The A. M. E.
