Lamb: something too there is in these plays of his pathos, and something of his humour: but if this were all we had of him we should know comparatively little of what we now most prize in him. Of this we find most in the plays dealing with English life in his own day: but there is more of it in his romantic tragicomedies than in his chronicle histories or his legendary complications and variations on the antique. The famous and delicious burlesque of Beaumont and Fletcher cannot often be forgotten but need not always be remembered in reading 'The Four Prentices of London.' Externally the most extravagant and grotesque of dramatic poems, this eccentric tragicomedy of chivalrous adventure is full of poetic as well as fantastic interest. There is really something of discrimination in the roughly and readily sketched characters of the four crusading brothers: the youngest especially is a life-like model of restless and reckless gallantry as it appears when incarnate in a hot-headed English boy; unlike even in its likeness to the same type as embodied in a French youngster such as the immortal d'Artagnan. Justice has been done by Lamb, and consequently as well as subsequently by later criticism, to the occasionally fine poetry which breaks out by flashes in this quixotic romance of the City, with its seriocomic ideal of crusading
