PREFACE
marvels and miracles as to which this communication, whether by necessity or by chance, works comparatively straight—works, by our measure, to some convincing consequence; there are others as to which the report, the picture, the plea, answers no tithe of the questions we would put. Those questions may perhaps then, by the very nature of the case, be unanswerable—though often again, no doubt, the felt vice is but in the quality of the provision made for them: on any showing, my own instinct, even in the service of great adventures, is all for the best terms of things; all for ground on which touches and tricks may be multiplied, the greatest number of questions answered, the greatest appearance of truth conveyed. With the preference I have noted for the "neat" evocation—the image, of any sort, with fewest attendant vaguenesses and cheapnesses, fewest loose ends dangling and fewest features missing, the image kept in fine the most susceptible of intensity—with this predilection, I say, the safest arena for the play of moving accidents and mighty mutations and strange encounters, or whatever odd matters, is the field, as I may call it, rather of their second than of their first exhibition. By which, to avoid obscurity, I mean nothing more cryptic than I feel myself show them best by showing almost exclusively the way they are felt, by recognising as their main interest some impression strongly made by them and intensely received. We but too probably break down, I have ever reasoned, when we attempt the prodigy, the appeal to mystification, in itself; with its "objective" side too emphasised the report (it is ten to one) will practically run thin. We want it clear, goodness knows, but we also want it thick, and we get the thickness in the human consciousness that entertains and records, that amplifies and interprets it. That indeed, when the question is (to repeat) of the "super-
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