their quarter apiece, and were shown up-stairs to the top of the house. There, in a small room, the man in the white cap wished them pleasant slumbers.
It was furnished with a bed, a chair, and some conveniences. The door did not lock on the inside; and the only sign of adornment was a couple of framed pictures, one close above the head of the bed, and the other opposite the foot, and both curtained, as we may sometimes see valuable water-colours, or the portraits of the dead, or works of art more than usually skittish in the subject. It was perhaps in the hope of finding something of this last description that M'Naughten's comrade pulled aside the curtain of the first. He was startlingly disappointed. There was no picture. The frame surrounded, and the curtain was designed to hide, an oblong aperture in the partition, through which they looked forth into the dark corridor. A person standing without could easily take a purse from under the pillow, or even strangle a sleeper as he lay abed. M'Naughten and his comrade stared at each other like Vasco's seamen, "with a wild surmise"; and then the latter, catching up the lamp, ran to the other frame and roughly raised the curtain. There he stood, petrified; and M'Naughten, who had followed, grasped him by the wrist in terror. They could see into another
