described, to his mind, as an elaborate engine for dissociating the confined American from that indispensable knowledge, and was accordingly only rendered bearable by these occasional stations of relief, traps for the arrest of wandering western airs. Strether, on his side, set himself to walk again—he had his relief in his pocket; and indeed, much as he had desired his budget, the growth of restlessness might have been marked in him from the moment he had assured himself of the superscription of most of the missives it contained. This restlessness became therefore his temporary law; he knew he should recognise as soon as he should see it the best place of all for settling down with his chief correspondent. He had for the next hour an accidental air of looking for it in the windows of shops; he came down the Rue de la Paix in the sun and, passing across the Tuileries and the river, indulged more than once—as if on finding himself determined—in a sudden pause before the bookstalls of the opposite quay. In the garden of the Tuileries he had lingered, on two or three spots, to look; it was as if the wonderful Paris spring had stayed him as he roamed. The prompt Paris morning struck its cheerful notes—in a soft breeze and a sprinkled smell, in the light flit, over the garden-floor, of bareheaded girls with the buckled strap of oblong boxes, in the type of ancient thrifty persons basking betimes where terrace-walls were warm, in the blue-frocked, brass-labelled officialism of humble rakers and scrapers, in the deep references of a straight-pacing priest or the sharp ones of a white-gaitered, red-legged soldier. He watched little brisk figures, figures whose movement was as the tick of the great Paris clock, take their smooth diagonal from point to point; the air had a taste as of something mixed with art, something that presented nature as a white-capped master-chef. The palace was gone; Strether remembered the palace; and when he gazed into the irremediable void of its site the historic sense in him might have been freely at play—the play under which in Paris indeed it so often winces like a touched nerve. He filled out spaces with dim symbols of scenes; he caught the gleam of white statues at the base of which, with his letters out, he could tilt back a straw-bottomed chair. But his drift was, for reasons, to the
