of refinement, and of a distinguished mode of living. But as he sought nothing but the gratification of his own selfishness, of his own love of pleasure, of his pride, and of his desire for renown and splendor, his reign became the grave of freedom, of morals, of firmness of character, and of manly sentiments. Court favor was the end of every effort, and flattery the surest road to arrive at it; virtue and merit met with little acknowledgment.
It was during the last three decades of the seventeenth century that France stood at the culminating point of her power abroad and of her prosperity at home, so that the flattering chronicles of those days described the age of Louis XIV as the golden age of France. Trade and industry received a prodigious development by the care of Colbert; the woollen and silk manufactories, the stocking and cloth weaving, which flourished in the southern towns, brought prosperity, the maritime force increased, colonies were planted, and the productions of France were carried by trading companies to all quarters of the globe.
The court of France displayed a magnificence that had never before been witnessed. The palace of Versailles, and the gardens which were adorned with statues, fountains, and alleys of trees, were a model of taste for all Europe, fêtes of all kinds, jovial parties, ballets, fireworks, the opera and the theatre, in the service of which the first intellects in France employed their talents, followed upon each other in attractive succession; poets, artists, men of learning, all were eager to do honor to a prince who rewarded with a liberal hand every kind of talent that conduced either to his amusement or to his glory. Sumptuous buildings, as the Hospital of Invalides, costly libraries, magnificent productions of the press, vast establishments for the natural sciences, academies, and similar institutions, exalted the glory and renown of the great Louis. The refined air of society, the polished tone, the easy manners of the nobility and courtiers, subdued Europe more permanently and extensively than the weapons of the army. The French fashions, language, and literature, bore sway from this time in all circles of the higher classes. The consequences of the French Academy by Richelieu were a development of the language, style, and literary composition, that was extremely favorable to the diffusion of the literature. The language, so particularly adapted for social intercourse, for conversation, and for epistolary writing, remained from henceforth the language of diplomacy, of courts, and of the higher classes; and although the literary productions are wanting in strength, elevation, and nature,—the polish of the form, and the ease and felicity of the style, gave French taste the supremacy in Europe, and strengthened the French people in the agreeable delusion that they were the most civilized of nations.
But however flatterers may sing the praises of the age of Louis XIV, one spot of shame remains ineradicable—the persecution of the Huguenots. The French king believed that the unity of the Church was inseparable from a perfect monarchy. For this reason he oppressed the Jansenists, a Catholic party, which first contended against the Jesuits, and afterwards against the head of the Church himself; and he compelled the Calvinists, by the most severe persecutions, either to fly, or to return into the bosom of the Catholic Church. Colbert, who esteemed the Huguenots as active and industrious citizens, prevented for some time these violent measures;
