fession. Besides writing for The Review, he produced a weekly pamphlet, called The Bee; An inquiry into the Present State of Learning in Europe; and contributed several Essays to The Public Ledger, in which his Citizen of the World appeared, under the title of Chinese Letters. These publications had brought him both fame and emolument, and, in 1765, at which time he resided in the Temple, he added to them by the production of his celebrated poem The Traveler. This had been written during his residence abroad, and was revised and printed at the recommendation of Dr. Johnson, his acquaintance with whom was soon followed by that of other eminent literary characters of the day. In 1766, appeared his Vicar of Wakefield, and his History of England, in a series of letters, two of his most successful performances, and which were received with immediate applause. In 1768, his comedy of The Good-natured Man, was brought out at Covent Garden, with a prologue by Dr. Johnson; but the success of it was not proportionate to its merits. In 1770, appeared his exquisite poem of The Deserted Village, for which he received £100, but could hardly be prevailed upon to accept it, until satisfied that the profits of the bookseller could afford that sum. It is, indeed, said by one of his biographers, that he went back and returned the money, observing, 'he had not been easy since he received it;' and left it to the bookseller to pay him according to the profits of the sale.
In 1772, was acted his celebrated comedy of She Stoops to Conquer, concerning the acceptance and success of which he appears to have been equally anxious and doubtful. His letter to Colman, about this time, does not represent his circumstances in a very favorable light: 'I have, as you know,' he says, 'a large sum of money to make up shortly; by accepting my play, I can readily satisfy my creditors that way; at any rate, I must look about to some certainty to be prepared. For God's sake, take the play, and let us make the best of it; and let me have the same measure, at least, which you have given as bad plays as mine.' During the first performance of the comedy, he is said to have walked all the time in St. James' Park, in great uneasiness, until, thinking it must be over, he hastened to the theatre. His ears were assailed with hisses as he entered the green-room; when he eagerly inquired of Mr. Colman the cause.—'Psha! psha!' said Colman, 'don't be afraid of squibs, when we have been sitting on a barrel of gunpowder these two hours.' The fact was, that the comedy had been completely successful, and that it was the farce which had excited these sounds so terrific to Goldsmith.
In the following year, his last theatrical piece, entitled The Grumbler, a farce, altered from Sedley, was acted, for the benefit of Mr. Quick; but it was not repeated, and was never printed. His other productions are, a Roman History, a History of England, in four volumes, a Grecian History, and a History of the Earth and Animated Nature, compiled from Buffon and others. He had acquired more than a sufficiency, by his writings, for his comforts and necessaries; but his indiscriminate and improvident liberality, added to a passion for gaming, rendered his emoluments comparatively useless; and at length threw him into a state of despondency, which terminated in a nervous fever, and deprived him of life on the 4th of April, 1774. He was buried in the Temple Church, and a monument was afterwards erected to his memory in Westminster Abbey, at the expense of a literary club to which he belonged, with an inscription by Dr. Johnson. He is described
