was at Mansfield, in attendance at the Assizes—he being one of the county magistrates. I did not, however, lose the object of my visit, as every attention was paid in showing me about the premises. I felt as every one must who gazes for the first time upon these walls, and remembers that it was here, even amid the comparative ruins of a building once dedicated to the sacred cause of Religion and her twin sister, Charity, that the genius of Byron was first developed; here that he paced with youthful melancholy the halls of his illustrious ancestors, and trode the walks of the long-banished monks. The housekeeper—a remarkably good-looking and polite woman—showed us through the different apartments, and explained in the most minute manner every object of interest connected with the interior of the building. We first visited the Monk's Parlor, which seemed to contain nothing of note, except a very fine-stained window—one of the figures representing St. Paul, surmounted by a cross. We passed through Lord Byron's Bed-room, the Haunted Chamber, the Library and the Eastern Corridor, and halted in the Tapestry Bed-room, which is truly a magnificent apartment, formed by the Byrons for the use of King Charles II. The ceiling is richly decorated with the Byron arms. We next visited the grand Drawing-room, probably the finest in the building. This saloon contains a large number of splendid portraits, among which is the celebrated portrait of Lord Byron, by Phillips. In this room we took into
