"Percy" had been taken up and thrown among some loose stones. One visits Abbotsford because of the genius of the man that once presided over it. Everything connected with the great poet is of interest to his admirers, and anything altered or removed tends to diminish that interest. We entered the house, and were conducted through the great hall, which is hung all round with massive armor of all descriptions, and other memorials of ancient times. The floor is of white and black marble. In passing through the hall, we entered a narrow arched room, stretching quite across the building, having a window at each end. This little or rather narrow room is filled with all kinds of armor, which is arranged with great taste. We were next shown into the dining-room, whose roof is of black oak, richly carved. In this room is a painting of the head of Queen Mary, in a charger, taken the day after the execution. Many other interesting portraits grace the walls of this room. But by far the finest apartment in the building is the drawing-room, with a lofty ceiling, and furnished with antique ebony furniture. After passing through the library, with its twenty thousand volumes, we found ourselves in the study, and I sat down in the same chair where once sat the poet: while before me was the table upon which were written the "Lady of the Lake," "Waverley," and other productions of this gifted writer. The clothes last worn by the poet were shown to us. There was the broad-skirted blue coat, with its large buttons, the plaid trousers, the heavy shoes, the black vest and white hat.
