so THE ANCESTOR The common charge of a mullet may surely for philology's sake be allowed to drop its modern spelling for its ancient and less fishlike spelling of molet, and the pierced molet seems to have a single and suggestive word awaiting it in the ' rowel ' of the old rolls of arms. The estoile also has every authority for dropping its foreign dress and shining as a plain English ' star.' Whether our labels have three, four or five pendants is a matter which may concern the painter of arms, but the armorist should take no verbal heed of their variety, save perhaps in such a case as the curious label of many points which was borne by Sayer de Quinci. No charge has been the victim of the armorists in such degree as the cross. They have vied with one another through the ages in wringing from their imaginations new shapes into which the emblem of our salvation might be chipped or writhen. Here alone may the modern writers take credit to themselves beyond the measure which may be allowed to their fathers. At a comparatively early date Gerard Leigh had produced forty-six different crosses for his delighted readers, but even the wisdom of the seventeenth century is surpassed by Robson's British Herald with its two hundred and twenty-two, whilst I hesitate to say how many figure in Mr. Elvin's modern dictionary of heraldry, a work of which I can only say with a certain admiration that the very funeral rites of our ancient national heraldry might be read from its inspired pages. If we set aside from these crosses those which were mani- festly evolved by the armorists as so much padding for the dictionaries there remain still a number to be resolved into their originals. The rule of the armorist was here, as else- where, to make on the one hand a fresh word of every antick spelling or variant of a recognized word, and on the other hand a new word was to be found for every pictured cross which the old artists, in their search for the beautiful line, had varied from the pattern which the laws of the later armorists were to declare unchangeable. Thus flowery, flory, flurty and floretty — all these words signify a cross whose form in actual use varied with the fashion of the time, but whose distinguishing note was to be found in the fleurs-de-lys sprouting from its ends, the ' crois od les bouts flurtees ' of the old rolls. Yet they are now reckoned four crosses, although no two armorists can be found to agree upon their exact differences. In the work of
