Figure 59.—Headquarters for medical art in the Army Medical Museum, World War I, with staff members dutifully posing for the photographer.
included dissecting experience on cadavers in a dissecting room set up in the Museum.[1] Additional experience was had in the making of a large number of drawings illustrating various stages in surgical operations at the Walter Reed General Hospital and elsewhere, and participation in performing numerous autopsies at the Government Hospital for the Insane (St. Elizabeths), in Washington, D.C., where the pathological service had been taken over for instruction purposes by the Museum.[2]
The output of the Museum's staff of artists found use in the program of medical instruction of officers and men in the training camps, in the shape of lantern slides, for projection on the screen, to illustrate lectures on medical topics. Through these lectures, declared Major Shufeldt, the fitness and health of the army was "vastly improved." This was probably an exaggerated estimate of the effectiveness of these educational efforts,[3] but there can be no doubt that the
- ↑ (1) Letter, Lieutenant Schwarz to Dean John Heffern, Syracuse University, 28 May 1918. On file in historical records of AFIP. (2) Shufeldt, Medical Review of Reviews, 24 (1918), pp. 391, 392.
- ↑ (1) Annual Report of the Surgeon General, U.S. Army, fiscal year 1919, p. 1066. (2) Surgeon General's Office Review, p. 72.
- ↑ Shufeldt. Medical Review of Reviews, 24 (1918), p. 392.
