INTRODUCTION
As for the present book, it can make no claim whatever to provide a detailed and reasoned account of the Russian Ballet, or yet of the great artist and dancer whose name is its ornament. Its character will be that of a purely personal impression, supported, I hope, by some wider considerations, but still essentially an impression, and with the value of an impression rather than of a work of studied criticism.
In spite of obvious shortcomings, there is something to be said for such a method. For dancing is one of those arts which least repay too dry an exposition. In this it is like music, and most unlike the monumental arts of sculpture, painting, literature, which, in virtue of their very persistence, have the less claim to be recorded. For we can read the book, or see the picture for ourselves, and go to
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