too, the possession of a far surer and subtler intellectual faculty. "The great and golden rule of art …," said Blake, "is this: that the more distinct, sharp, and wiry the bounding line, the more perfect the work of art. The want of this determinate and bounding form evidences the idea of want in the artist's mind."
Certainly there is no such void in the mind of Nijinsky. His mental vigour is as keen as his physical; and, richly endowed as he is with every perfection of technique, he is still the unerring master of his material, never its slave.
This brings us to the last item in our little catalogue of combined qualities—an item which can be easily expressed by saying that Nijinsky is not only a great dancer, but also a great actor. An opinion, this, which differs radically from that of