tery, by the clouds of gold and purple which are the drapery of his dreams. And surely we have had but one prose-writer who could be compared with him in aërial perspective, if we may use the painter's term. If Irving is the Claude of our unrhymed poetry, Hawthorne is its Poussin.
This is not the occasion for the analysis and valuation of Hawthorne's genius. If the reader wishes to see a thoughtful and generous estimate of his powers, and a just recognition of the singular beauty of his style, he may turn to the number of this magazine published in May, 1860. The last effort of Hawthorne's creative mind is before him in the chapter here printed. The hand of the dead master shows itself in every line. The shapes and scenes he pictures slide at once into our consciousness, as if they belonged there as much as our own homes and relatives. That limpid flow of expression, never laboring, never shallow, never hurried nor uneven nor turbid, but moving on with tranquil force, clear to the depths of its profoundest thought, shows itself with all its consummate perfections. Our literature could ill spare the rich ripe autumn of such a life as Hawthorne's, but he has left enough to keep his name in remembrance as long as the language in which he shaped his deep imaginations is spoken by human lips.
A SCENE FROM THE DOLLIVER ROMANCE.
Doctor Dolliver, a worthy personage of extreme antiquity, was aroused rather prematurely, one summer morning, by the shouts of the child Pansie, in an adjoining chamber, summoning Old Martha (who performed the duties of nurse, housekeeper, and kitchen-maid, in the Doctor's establishment) to take up her little ladyship and dress her. The old gentleman woke with more than his customary alacrity, and, after taking a moment to gather his wits about him, pulled aside the faded moreen curtains of his ancient bed, and thrust his head into a beam of sunshine that caused him to wink and withdraw it again. This transitory glimpse of good Dr. Dolliver showed a flannel nightcap, fringed round with stray locks of silvery white hair, and surmounting a meagre and duskily yellow visage, which was crossed and criss-crossed with a record of his long life in wrinkles, faithfully written, no doubt, but with such cramped chirography of Father Time that the purport was illegible. It seemed hardly worth while for the patriarch to get out of bed any more, and bring his forlorn shadow into the summer day that was made for younger folks. The Doctor, however, was by no means of that opinion, being considerably encouraged towards the toil of living twenty-four hours longer by the comparative ease with which he found himself going through the usually painful process of bestirring his rusty joints, (stiffened by the very rest and sleep that should have made them pliable,) and putting them in a condition to bear his weight upon the floor. Nor was he absolutely disheartened by the idea of those tonsorial, ablutionary, and personally decorative labors which are apt to become so intolerably irksome to an old gentleman, after performing them daily and daily for fifty, sixty, or seventy years, and finding them still as immitigably recurrent as at first. Dr. Dolliver could nowise account for this happy condition of his spirits and physical energies, until he remembered taking an experimental sip of a certain cordial which was long ago prepared by his grandson and carefully scaled up in a bottle, and had been reposited in a dark
