river conduct you onward at its own pace, leisurely displaying to you all the wild or ordered beauties along its banks, and perhaps running you aground in some peculiarly picturesque spot, for your longer enjoyment of it. Another object, perhaps, is a solitary man paddling himself down the river in a small canoe, the light, lonely touch of his paddle in the water making the silence seem deeper. Every few minutes a sturgeon leaps forth, sometimes behind you, so that you merely hear the splash, and, turning hastily around, see nothing but the disturbed water. Sometimes he darts straight on end out of a quiet black spot on which your eyes happen to be fixed, and, when even his tail is clear of the surface, he falls down on his side, and disappears.
On the river-bank, an Irishwoman washing some clothes, surrounded by her children, whose babbling sounds pleasantly along the edge of the shore; and she also answers in a sweet, kindly, and cheerful voice, though an immoral woman, and without the certainty of bread or shelter from day to day. An Irishman sitting angling on the brink with an alder pole and a clothes-line. At frequent intervals, the scene is suddenly broken by a loud report like thunder, rolling along the banks, echoing and reverberating afar. It is a blast of rocks. Along the margin, sometimes sticks of timber made fast, either separately or several together; stones of some size, varying the pebbles and sand; a clayey spot, where a shallow brook runs into the river, not with a deep outlet, but finding its way across the bank in two or three single runlets. Looking upward into the deep glen whence it issues, you see its shady current. Elsewhere, a high acclivity, with the beach between it and the river, the ridge broken and caved away, so that the earth looks fresh and yellow, and is penetrated by the nests of birds. An old, shining tree-trunk, half in and half out of the water. An island of gravel, long and narrow, in the centre of the river. Chips, blocks of wood, slabs, and other scraps of lumber, strewed along the beach; logs drifting down. The high bank covered with various trees and shrubbery, and, in one place, two or three Irish shanties.
COURT-CARDS.
What a hand the Major has dealt me! Do look over my shoulder, Madam, and see these cards! What quaint, odd, old-time figures they are! I wonder if the kings and queens of by-gone centuries were such grotesque-looking objects as these. Look at that Queen of Spades! Why, Dr. Slop's abdominal sesquipedality was sylph-like grace to the Lambertian girth she displays. And note the pattern of her dress, if dress it can be called,—that rotund expanse of heraldic, bar-sinistered, Chinese embroidery. Look at that Jack of Diamonds! What a pair of collar-bones he must have! That little feat of Atlas would be child's-play to him; for he could step off with a whole orrery on those shoulders. And his hands! what Liliputian phalanges, which Beau Brummel, or D'Orsay, or any other professional dandy might die envying! As for the King of Hearts, he looks as much like a pet of the fair sex as Boanerges or Bung the Beadle. And what strange anatomical proportions they exhibit, with their gigantic heads, abortive necks, and the calves of their legs protuberant around their tibias and fibulas, alike before and behind! And then they are all left-handed! Were these the gay gallants and fair dames of the golden age of chivalry? Were these shapeless things the forms and cos-
