back the bear Razboi and the idiot to his table, and vodki was habitually poured out to him and his favorite serfs in such measure that the nights became hideous with drunken tumult.
The Princess Helena felt that her beauty no longer possessed the potency of its first surprise. It must now be a contest of nature with nature, spiritual with animal power. The struggle would be perilous, she foresaw, but she did not shrink; she rather sought the earliest occasion to provoke it.
That occasion came. Some slight disappointment brought on one of the old paroxysms of rage, and the ox-like bellow of Prince Alexis rang through the castle. Boris was absent, but Helena delayed not a moment to venture into his father's presence. She found him in a hall overlooking the court-yard, with his terrible whip in his hand, giving orders for the brutal punishment of some scores of serfs. The sight of her, coming thus unexpectedly upon him, did not seem to produce the least effect.
"Father!" she cried, in an earnest, piteous tone, "what is it you do?"
"Away, witch!" he yelled. "I am the master in Kinesma, not thou! Away, or "———
The fierceness with which he swung and cracked the whip was more threatening than any words. Perhaps she grew a shade paler, perhaps her hands were tightly clasped in order that they might not tremble; but she did not flinch from the encounter. She moved a step nearer, fixed her gaze upon his flashing eyes, and said, in a low, firm voice,—
"It is true, father, you are master here. It is easy to rule over those poor, submissive slaves. But you are not master over yourself; you are lashed and trampled upon by evil passions, and as much a slave as any of these. Be not weak, my father, but strong!"
An expression of bewilderment came into his face. No such words had ever before been addressed to him, and he knew not how to reply to them. The Princess Helena followed up the effect—she was not sure that it was an advantage—by an appeal to the simple, childish nature which she believed to exist under his ferocious exterior. For a minute it seemed as if she were about to reestablish her ascendency: then the stubborn resistance of the beast returned.
Among the portraits in the hall was one of the deceased Princess Martha. Pointing to this, Helena cried,—
"See, my father! here are the features of your sainted wife! Think that she looks down from her place among the blessed, sees you, listens to your words, prays that your hard heart may be softened! Remember her last farewell to you on earth, her hope of meeting you"———
A cry of savage wrath checked her. Stretching one huge, bony hand, as if to close her lips, trembling with rage and pain, livid and convulsed in every feature of his face, Prince Alexis reversed the whip in his right hand, and weighed its thick, heavy butt for one crashing, fatal blow. Life and death were evenly balanced. For an instant the Princess became deadly pale, and a sickening fear shot through her heart. She could not understand the effect of her words: her mind was paralyzed, and what followed came without her conscious volition.
Not retreating a step, not removing her eyes from the terrible picture before her, she suddenly opened her lips and sang. Her voice, of exquisite purity, power, and sweetness, filled the old hall and overflowed it, throbbing in scarcely weakened vibrations through court-yard and castle. The melody was a prayer,—the cry of a tortured heart for pardon and repose; and she sang it with almost supernatural expression. Every sound in the castle was hushed: the serfs outside knelt and uncovered their heads.
The Princess could never afterwards describe, or more than dimly recall, the exaltation of that moment. She sang in an inspired trance: from the utterance of the first note the horror of the imminent fate sank out of sight. Her eyes were fixed upon the convulsed face,
