a pretty song in Ruy Blas; and as the fit was upon me, I produced my pocketbook, to commit to paper a version of it which I had mentally devised. The leaves of my book were all filled, however; some with memoranda,—a sort of savage diary it was,—some with sketches of scenes in the wilderness: there was not a corner vacant. Turning towards the planking of my bulwark, I perceived that it was smoothly planed and clean, and to work on it I went, pencil in hand. First I wrote "Zosime MacGillivray," in several different styles of chirography, flourished and plain, and even in old text. Then I sketched out a rough design for an ornamental heading, with a wreath of flowers encircling the words "To Zozzy," and beneath this work of Art I inscribed the effort of my muse, which ran thus:—
Fields and forests rejoice
In their silver-toned throng;
I hear but the voice
Of the bird in thy song!
In April's glad shower
Flash petals and leaves,
Less bright than the flower
Round thy heart that weaves!
Stars waken, stars slumber,
Stars wink in the sky,
Bright numberless number;
But none like thine eye!
For bird-song and flower
And star from above
Combine in thy bower;
Their union is love!
My mind being considerably relieved by this gush of sentiment, I felt myself entitled to unbend a little, and, turning my attention to artistic pursuits, principally of a humorous character, I developed successively many long-pent-up imaginings in the way of severe studies of sundry garrison notables. There was "Bendigo" Phillips, with boxing-gloves fearfully brandished, appearing in the attitude in which he polished off young Thurlow of the R.A., under the pretence of giving him a lesson in the noble art of self-defence, but in reality to revenge himself upon him for an ill-timed interference in a certain affaire du cœur. The agony of young Thurlow, pretending to look pleased, was depicted by a very successful stroke of Art. To the extreme right you might have beheld Vegetable Warren, the staff-surgeon, slightly exaggerated in the semblance of a South-Down wether nibbling at a gigantic Swedish turnip. Written lampoons of the fiercest character accompanied the illustrations. But my boldest effort was an atrocious and libellous cartoon of the commandant of the garrison, popularly known as "Old Wabbles,"—I believe from the preternatural manner in which his wide Esquimaux boots vacillated about his long, lean shanks. This chef d'œuvre was executed upon a rather large scale, and I imparted considerable force and breadth to the design by "coaling in" the shadows with a charred stick. Then calling color to my aid, as far as my limited means admitted, I scraped from the edges of the moose-hide a portion of the red-streaked fat, and, having impasted therewith the bacchanalian nose of my subject, I stepped back a few paces to contemplate the effect. So ludicrous was the resemblance, that I laughed outright in the pride of my success,—a transient hilarity, nipped suddenly in the bud by the loud boom of a cannon, accompanied rather than followed by a rushing sound a few feet above my head, and a thundering bump and splutter upon the ice some thirty or forty yards beyond me, as the heavy shot skipped and ricochetted away with receding bounds to its vanishing-point somewhere in the neighborhood of the Island of Orleans. Two strides to the front, and a glance at the broad, black ring emblazoned on the hitherto disregarded face of my bulwark, and the truth flashed upon my staggering senses.
I was encamped in the lee of the bran-new artillery target, and they were just commencing practice, on this fine bright afternoon, by pitching thirty-two-pound shot into and about it, at intervals—as I pretty well knew—of distressingly uncertain duration. With frantic strength I
