delightful creature was wont to astonish the streets, in the days of her vanity and frivolous vexation of spirit.
A generous expanse of cape pertained to it, and it was cut much shorter behind than before, in order to display to advantage the pert red heels whereon that antique Wimple aforetime exalted herself. "With some trifling alterations," said Miss Wimple to herself, "this will do nicely for me; and my delaine—which is not so very bad, after all—a little cleaning will do wonders for it—will look sweetly appropriate on the Widow Morris, while her outfit is making in New York."
So Miss Wimple let down the dress behind, by piecing it in the back just below the waist; and from the generous cape she made a basque to hide the alteration; and some stains, like iron-mould, on the skirt, she covered with three flounces, made of some fine crape that was left from her mother's funeral.
"But, by your leave, where was this 'silken wonder' when your unhandy heroine was casting about her for a substitute for the quilted petticoat?"
Anywhere but in her mind. Of the round-aboutness of her directness you have had examples enough already; nothing could be more romantic than her simplest realities, and that which would seem most out-of-the-way to another woman was often "handiest" to her. So, when you ask me, Why did not Sally Wimple sooner think of her great-grandmother's dress? my easiest answer is, Because she was Sally Wimple.
When Miss Wimple first put on the new dress, in Madeline's presence, Madeline smiled again, for she thought she understood; and Miss Wimple smiled also, for she knew no one could understand.
Then Miss Wimple broke the news to Madeline, by telling her that "an old friend of her father's," a wealthy Mr. Osgood, of New York, was in want of a governess for his two daughters, and had written to her on the subject;—(a not very improbable story; for Madeline could not but be aware that in the conscientious and proud little bookseller was the making of a very respectable "Jane Eyre," under favorable circumstances;)—whereupon she had taken the liberty to recommend a clever and accomplished friend of her own, one Mrs. Morris, a widow,—"of course, that's you, Madeline,"—and Mr. Osgood had accordingly done her the honor to offer the place to Mrs. Morris, and, "with characteristic consideration and delicacy," had inclosed a check, by way of an advance on her salary, which would be liberal, to defray the expense of an outfit,—"and there it was." His writing to her, Miss Wimple said, was a circumstance as strange as it was fortunate; for, in fact, she had, personally, but a very slight acquaintance with him, and was "quite sure she should not recognize him, if she were to see him now";—as for his little girls, she had never seen them, nor even heard their names. But Mr. Osgood's character was of the very highest, and she rejoiced that Madeline would have so honorable, influential, and generous a protector, who had given his word that she should be received and entertained with the consideration due to a superior and esteemed friend.
[Never mind Miss Wimple's white lies, my dear; there is no danger that they will be found filling the blank place in the Recording Angel's book, left where his tear blotted out My Uncle Toby's oath.
And in a purely worldly point of view, too, those touching offerings to Mercy were safe enough; for when Miss Wimple promised Madeline that she would find Mr. Osgood "a singularly discreet person, who would be sure not to annoy her with impertinent curiosity," it was not said by way of a hint;—she well knew, that, from the moment the proud and jealous Madeline departed across the threshold of the Hendrik Athenæum and Circulating Library, she would set a close and solemn seal upon her heart and upon her lips, and the "old familiar faces" and places would be to her as the things that Memory is a silent widow for. Nevertheless, in writing to Mr. Os-
