We will enjoy the sunshine of to-day; and if to-morrow brings a darker sky, we must console ourselves as we can."
"What an Epicurean! Well, Marcia, you are not a child; you must act for yourself."
Marcia made no reply, but sat down to her desk to write a note; and her sister-in-law soon after went to her own room.
During all this conversation, Mrs. Sandford was struck by the tone which the beautiful coquette assumed. Her words were aptly chosen, her sentences smoothly constructed; she never hesitated; and there was an ever-present air of consciousness, that left no conviction of sincerity. Whether she uttered sentiments of affection, or sharp criticism upon character, there was the same level flow of language, the same nicely modulated intonation. There was no flash of enthusiasm, none of those outbursts in which the hearer feels sure that the heart has spoken. Mrs. Sandford was thoroughly puzzled. Marcia had never been otherwise than kind; in fact; she seemed to be studiously careful of the feelings of others, except when her position as reigning belle made it necessary to cut a dangler. This methodical speech and unruffled grace of manner might be only the result of discipline. Truth and honesty might exist as well under this artificial exterior as in a more impulsive nature. But the world generally thinks that whoever habitually wears a smiling mask has some secret end to serve thereby. "I like this painter, Greenleaf," she soliloquized, "and I mean to look out for him. I am persuaded that Marcia would never marry him; and I think he is too sensitive, too manly, to be a fit subject for her experiments."
CHAPTER IV.
CONCERNING CONSTANCY AND THE AFFINITIES.
"A Musical soirée? Famous, my boy!" said Easelmann, as he sat, smoking as usual, in his fourth-story atelier with Greenleaf, watching the sun go down. "Making progress, I see. You have nothing to do; the affair will take care of itself."
"What affair?"
"Don't be stupid (puff). Your affair with Miss Sandford (puff). There's a wonderful charm in music (puff). Two such young people might fall in love, to be sure, without singing together (puff). But music is the true aqua regia; it dissolves all into its own essence. A piano and a tenor voice will do more than a siege of months, though aided by a battery of bouquets."
"How you run on! I have called twice,—once with you, and the second time by the lady's invitation. Besides, I told you—indiscreetly, I am afraid—that I am really engaged to be married."
"Oh, yes, I have not forgotten the touching story (puff); but we get over all things, even such passions as yours. We are plants, that thrive very well for a while in the pots we sprouted in, but after a time we must have a change of soil."
"I don't think we outgrow affection, honor, truth."
"That is all very pretty; but our ideas of honor and truth are apt to change."
"I don't believe you are half so bad a fellow, Easelmann, as you would have me think. You utter abominable sentiments, but you behave as well as other people—nearly."
"Thank you. But listen a moment. (Laying down his pipe.) Do you have the same tastes you had at eighteen? I don't refer to the bumpkins with whom you played when a boy, and who, now that you have outgrown them, look enviously askance at you. I don't care to dwell on your literary tastes,—how you have outgrown Moore and Festus-Bailey, and are fast getting through Byron. I won't pose you, by showing how your ideas in Art have changed,—what new views you have of life, society;—but think of your ideas of womanly, or rather, girlish beauty at different ages. By Jove, I should like to see your inna-
