But Sir William Temple had missed Jonathan Swift from Moor Park. Differences were forgotten, and Swift, at his wish, went back. This was in 1696, when his little pupil, Esther Johnson, was fifteen. Swift said of her, "I knew her from six years old, and had some share in her education, by directing what books she should read, and perpetually instructing her in the principles of honour and virtue, from which she never swerved in any one action or moment of her life. She was sickly from her childhood until about the age of fifteen; but then grew into perfect health, and was then looked upon as one of the most beautiful, graceful, and agreeable young women in London, only a little too fat. Her hair was blacker than a raven, and every feature of her face in perfection." This was the Stella of Swift's after-life, the one woman to whom his whole love was given. But side by side with the slow growth of his knowledge of all she was for him, was the slow growth of his conviction that attacks of giddiness and deafness, which first came when he was twenty, and recurred at times throughout his life, were signs to be associated with that which he regarded as the curse upon his life. His end would be like his uncle Godwin's. It was a curse transmissible to children, but if he desired to keep the influence his genius gave him, he could not tell the world why he refused to marry. Only to Stella, who remained unmarried for his sake, and gave her life to him, could all be known.
Returned to Moor Park, Swift wrote, in 1697, the "Battle of the Books," as well as the "Tale of the Tub," with which it was published seven years afterwards, in 1704. Perrault and others had been battling in France over the relative merits of Ancient and Modern Writers. The debate had spread to England. On behalf of the Ancients, stress was laid by Temple on the letters of Phalaris, tyrant of Agrigentum. Wotton replied to Sir William for the Moderns. The Hon.
