THE TONE OF TIME
"I don't yet see why you wouldn't."
"Neither do I. It was an instinct."
"Your instincts"—I tried to be ironic—"are miraculous."
"They have to be, to meet such accidents. I must ask you kindly to tell her, when you return her gift, that now I have done the picture I find I must after all keep it for myself."
"Giving no reason?"
She painted away. "She'll know the reason."
Well, by this time I knew it too; I knew so many things that I fear my resistance was weak. If our wonderful client hadn't been his wife in fact, she was not to be helped to become his wife in fiction. I knew almost more than I can say, more at any rate than I could then betray. He had been bound in common mercy to stand by my friend, and he had basely forsaken her. This indeed brought up the obscure, into which I shyly gazed. "Why, even granting your theory, should you grudge her the portrait? It was painted in bitterness."
"Yes. Without that———!"
"It wouldn't have come? Precisely. Is it in bitterness, then, you'll keep it?"
She looked up from her canvas. "In what would you keep it?"
It made me jump. "Do you mean I may?" Then I had my idea. "I'd give you her price for it!"
Her smile through her glasses was beautiful. "And afterwards make it over to her? You shall have it when I die." With which she came away from her easel, and I saw that I was staying her work and should properly go. So I put out my hand to her. "It took—whatever you will!—to paint it," she said, "but I shall keep it in joy." I could answer nothing now—had to cease to pretend; the thing was in her hands. For a moment we stood there, and I had again the
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