Page:The Blacker the Berry - Thurman - 1929.djvu/129

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THE BLACKER THE BERRY . . .
121

two entertainers circled their table; Arline’s brother held out a dollar bill. The fat, chocolate colored girl leaned over the table, her hand touched his, she exercised the muscles of her stomach, muttered a guttural “thank you” in between notes and moved away, moaning “Muddy Waters,” rolling her eyes, shaking her hips.

Emma Lou had turned completely around in her chair, watching the progress of that wah-wahing, jello-like chocolate hulk, and her slim light brown skin companion. Finally they completed their rounds of the tables and returned to the dance floor. Red and blue spotlights played upon their dissimilar figures, the orchestra increased the tempo and lessened the intensity of its playing. The swaying entertainers pulled up their dresses, exposing lace trimmed stepins and an island of flesh. Their stockings were rolled down below their knees, their stepins discreetly short and delicate. Finally, they ceased their swaying and began to dance. They shimmied and whirled, charlestoned and black-bottomed. Their terpsichorean ensemble was melodramatic and absurd. Their execution easy and emphatic. Emma Lou forgot herself. She gaped, giggled and applauded like the rest of the audience, and only as they let their legs separate, preparatory to doing one final split to the floor, did Emma Lou come to herself long enough to wonder