and curly hair. His paternal grandfather had been an Iroquois Indian.
Emma Lou was very lonesome. She still knew no one save John, two or three of the Negro actors who worked on the stage with Arline, and a West Indian woman who lived in the same apartment with her. Occasionally John met her when she left the theater at night and escorted her to her apartment door. He repeatedly importuned her to be nice to him once more. Her only answer was a sigh or a smile.
The West Indian woman was employed as a stenographer in the office of a Harlem political sheet. She was shy and retiring, and not much given to making friends with American Negroes. So many of them had snubbed and pained her when she was newly emigrant from her home in Barbadoes, that she lumped them all together, just as they seemed to do her people. She would not take under consideration that Emma Lou was new to Harlem, and not even aware of the prejudice American-born Harlemites nursed for foreign-born ones. She remembered too vividly how, on ringing the bell of a house where there had been a vacancy sign in the window, a little girl had come to the door, and, in answer to a voice in the back asking, “Who is it, Cora?” had replied, “monkey chaser wants to see the room you
