presently she lay there, a huddled, futile little figure, listening to the rain pouring down outside and watching, with a sick distaste, the chill, merciless light creeping into her ugly, sordid room.
She knew the ugliness of that room by heart—knew it and hated it. The yellow-painted floor, with one hideous, “hooked” rug by the bed, with a grotesque, “hooked” dog on it, always grinning at her when she awoke; the faded, dark-red paper; the ceiling discoloured by old leaks and crossed by cracks; the narrow, pinched little washstand; the brown-paper lambrequin with purple roses on it; the spotted old looking-glass with the crack across it, propped up on the inadequate dressing-table; the jar of ancient potpourri made by her mother in her mythical honeymoon; the shell-covered box, with one burst corner, which Cousin Stickles had made in her equally mythical girlhood; the beaded pincushion with half its bead fringe gone; the one stiff, yellow chair; the faded old motto, “Gone but not forgotten,” worked in coloured yarns about Great-grandmother Stirling’s grim old face; the old photographs of ancient relatives long banished from the rooms below. There were only two pictures that were not of relatives. One, an old chromo of a puppy sitting on a rainy doorstep. That picture always made Valancy unhappy. That forlorn little dog crouched on the doorstep in the driving rain! Why didn’t some one open the door and let him in? The other picture was a faded, passe-partouted engraving of
