THE FIRST BOOK OF THE COURTIER
unreasonable; for this universal fabric that we see, — with the vast heaven so richly adorned with shining stars, and in the midst the earth girdled by the seas, varied with mountains, valleys and rivers, and bedecked with so many divers trees, beautiful flowers and grasses,— may be said to be a great and noble picture, composed by the hand of nature and of God; and whoever is able to imitate it, seems to me deserving of great praise: nor can it be imitated without knowledge of many things, as he knows well who tries. Hence the ancients greatly prized both the art and the artist, which thus attained the summit of highest excellence; very sure proof of which maybe found in the antique marble and bronze statues that yet are seen.132 And although painting is different from sculpture, both the one and the other spring from the same source, which is good design. Therefore, as the statues are divine, so we may believe the pictures were also; the more indeed because they are susceptible of greater skill."
50.— Then my lady Emilia turned to Giancristoforo Romano, who was sitting with the others there, and said:
"What think you of this opinion ? Do you admit that painting is susceptible of greater skill than sculpture?"133
Giancristoforo replied:
"I, my Lady, think that sculpture needs more pains, more skill, and is of greater dignity than painting."
The Count rejoined:
"In that statues are more enduring, perhaps we might say they are of greater dignity ; for being made as memorials, they fulfil better than painting the purpose for which they are made. But besides serving as memorials, both painting and sculpture serve also to beautify, and in this respect painting is much superior; for if less diuturnal (so to speak) than sculpture, yet it is of very long life, and is far more charming so long as it endures."
Then Giancristoforo replied:
"I really think that you are speaking against your convictions and that you are doing so solely for the sake of your friend Raphael; and perhaps too the excellence you find in his painting seems to you so consummate that sculpture cannot
