towards him and weighed down upon her, when lo! he heard one saying to him, "Awake, thou ne'er-do-well! The noon hour is come and thou art still asleep." He opened his eyes and found him self lying on the merge of the cold-water tank, amongst a crowd of people all laughing at him; for his prickle was at point and the napkin had slipped from his middle. So he knew that all this was but a confusion of dreams and an illusion of Hashish and he was vexed and said to him who had aroused him, "Would thou hadst waited till I had put it in!" Then said the folk, "Art thou not ashamed, O Hashish-eater, to be sleeping stark naked with stiff standing tool?" And they cuffed him till his neck was red. Now he was starving, yet forsooth had he savoured the flavour of pleasure in his dream. When Kanmakan heard the bondwoman's tale, he laughed till he fell backward and said to Bakun, "O my nurse, this is indeed a rare story and a delectable; I never heard the like of this anecdote. Say me! hast more?" "Yes," replied she, and she ceased not to tell him merry adventures and laughable absurdities, till sleep overcame him. Then she sat by his head till the most part of the night was past, when she said to herself, "It is time to profit by the occasion." So she sprang to her feet and unsheathed the hanger and rushing up to Kanmakan, was about to cut his throat when behold, his mother came in upon the twain. As soon as Bakun saw her, she rose in respect and advanced to meet her, and fear get hold of her and she fell a-trembling, as if
in Sanskrit verse vulgarly known as Koka Pandit from the supposed author, a Wazir of the great Rajah Bhoj, or according to others, of the Maharajah of Kanoj. Under the title Lizzat al-Nisá (The Pleasures—or enjoying—of Women) it has been translated into all the languages of the Moslem East, from Hindustani to Arabic. It divides postures into five great divisions: (1) the woman lying supine, of which there are eleven subdivisions; (2) lying on her side, right or left, with three varieties; (3) sitting, which has ten, (4) standing, with three subdivisions, and (5) lying prone, with two. This total of twenty-nine, with three forms of "Purusháyit," when the man lies supine (see the Abbot in Boccaccio i. 4), becomes thirty-two, approaching the French quarante façons. The Upavishta, majlis, or sitting postures, when one or both "sit at squat" somewhat like birds, appear utterly impossible to Europeans who lack the pliability of the Eastern's limbs. Their object in congress is to avoid tension of the muscles which would shorten the period of enjoyment. In the text the woman lies supine and the man sits at squat between her legs: it is a favourite from Marocco to China. A literal translation of the Ananga range appeared in 1873 under the name of Káma-Shástra; or the Hindoo Art of Love (Ars Amoris Indica); but of this only six copies were printed. It was re-issued (printed but not published) in 1885. The curious in such matters will consult the Index Librorum Prohibitorum (London, privately printed, 1879) by Pisanus Fraxi (H. S. Ashbee).
