who love to give, without the scars of use, and the dust of running feet—what is it but a meatless shell!
This devotion to "things" may easily become a ghoulish passion. It is such that Ibsen hints at in the Master Builder, when he makes Aline Solness attribute her perpetual black, her somber eyes and smileless lips, not to the death of her two little boys which has come about through the burning of her home, that was a "dispensation of Providence" to which she "bows in submission," but to the destruction of the things which were "mine"—"All the old portraits were burnt upon the walls, and all the old silk dresses were burnt that had belonged to the family for generations and generations. And all mother's and grandmother's lace—that was burnt, too, and only think, the jewels too."
One of the most disastrous effects of
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