Subsequent search did not show that any further fragments of the Babel tablet were in the British Museum, but I soon added several fresh portions to the fragmentary history of the Creation and Fall. The greatest difficulty with which I had to contend in all these researches was the extremely mutilated and deficient condition in which the tablets were found. There can be no doubt that, if the inscriptions were perfect, they would present very little difficulty to the translator.
The reason why these legends are in so many fragments, and the different parts so scattered, may be explained from the nature of the material of which the tablets are composed, and the changes undergone by them since they were written. These tablets were composed of fine clay and were inscribed with cuneiform characters while in a soft state; they were then baked in a furnace until hard, and afterwards transferred to the library. These texts appear to have been broken up when Nineveh was destroyed, and many of them were cracked and scorched by the heat at the burning of the palace. Subsequently the ruins were turned over in search of treasure, and the tablets still further broken; and then, to complete their ruin, the rain, every spring soaking through the ground, saturates them with water containing chemicals, and these chemicals form crystals in every available crack. The growth of the crystals further splits the tablets, some of them being literally shivered.
