theless they are toys, and in the hands of boys and girls, the drum goes "rub-a-dub," the horn "toots," and the whistle squeaks. The "gingham dog and calico cat," besides a score of other animals more nearly related to the soil of their native place—being made of clay—express themselves in the language of the particular whistle which happens to have been placed within them. All this is to the entire satisfaction of "little Miss Muffet" and "little boy Blue," just as they do in other lands.
When the children grow older they have tops to spin that whistle as good a whistle, and buzzers to buzz that buzz as good a buzz, and music balls to roll, and music carts to pull, that emit sounds as much to their satisfaction, as anything that ministered to the childish tastes of our grandfathers; and these become as much a part of their business and their life as if they were living, talking beings. Furthermore, their dolls are as much their children as they themselves are the offspring of their parents.
Chinese toys embrace only those which involve no intricate scientific principles. The music boxes of the West are unknown in China except as they are imported. The Chinese know nothing about dolls which open and shut their eyes, simple as this principle is, nor of toys which are self-propelling by some mysterious spring secreted within, because, forsooth, they know nothing about making the spring.
There are some principles, however, which, though they may not understand, they are nevertheless able to utilize; such, for instance, as the expansion of air by heat, and the
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