pulled as if rowing, and with every pull of the oar, the girl ran a few steps, making it appear that the boat shot forward. All the while the boy sang a boat-song or a love-ditty to his sweetheart.
Again the scene changed. The head and hind parts of a papier mâché horse were fastened to the "tomboy" in such a way as to make it appear that she was riding; a cloth was let down to hide her feet, and they ran to and fro, one in one direction and the other in the other, she jerking her unmanageable steed, and he singing songs, and all to the music of the drum and the cymbals.
It sometimes happens that while the girl rides the horse, the boy goes beside her in the boat, the rapidity and character of their movements being governed by the music of the manager.
The best part of the whole performance was that which goes by the name of the lion show. The girl took off her small feet and girl's clothes and became a boy again. One of the boys stood up in front and put on an apron of woven grass, while the other bent forward and clutched hold of his belt. A large papier mâché head of a lion was put on the front boy, to which was attached a covering of woven grass large enough to cover them both, while a long tail of the same material was stuck into a framework fastened to the belt of the hinder boy.
The manager beat the drum, the lion stalked about the court, keeping step to the music, turning its large head in every direction and opening and shutting its mouth, much to the amusement of the children.
143
