condition he tossed it up ten, then fifteen, then twenty or more feet into the air catching it on the chop-stick as it came down.
He then changed the process. He tossed the bowl a foot high, and struck it with the other chop-stick one, two, three, four or five times before it came down, and this he did so rapidly and regularly as to make it sound almost like music. There is a record of one of the ancient poets who was able to play a tune with his bowl and chop-sticks after having finished his meal. He may have done it in this way.
This trick seemed a very difficult performance. It excited the children, and some of the older persons clapped their hands and exclaimed, "Very good, very good." But when he tossed it only a foot high and let go the chop-stick, making it change ends, and catching the bowl, they were ready for a general applause. In striking the bowl and thus manipulating his chop-sticks, his hands moved almost as rapidly as those of an expert pianist.
"Can you toss the knives?" piped up one of the children who had seen a juggler perform this difficult feat.
The man picked up two large knives about a foot long and began tossing them with one hand. While this was going on a third knife was handed him and he kept them going with both hands. At times he threw them under his leg or behind his back, and at other times pitched them up twenty feet high, whirling them as rapidly as possible and catching them by the handles as they came down.
While doing this he passed one of the knives to the at-
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