A third difficulty in making a collection of Chinese nursery lore is greater than either the first or the second,—I refer to the difficulty of a metrical rendition of the rhymes. I have no doubt my readers can easily find flaws in my translations of Chinese Mother Goose Rhymes published during the past year. It is much easier for me to find the flaws than the remedies. Many of the words used in the original have no written character or hieroglyphic to represent them, while many others, though having a written form, are, like our own slang expressions, not found in the dictionary.
Now let us turn to a more pleasant feature of this unwritten nursery literature. The language is full of good rhymes, and all objectionable features can be cut out without injury to the rhyme, as it was not a part of the original, but added by some more unscrupulous hand.
Among the nursery rhymes of all countries many refer to insects, birds, animals, persons, actions, trades, food or children. In Chinese rhymes we have the cricket, cicada, spider, snail, firefly, ladybug and butterfly and others. Among fowls we have the bat, crow, magpie, cock, hen, duck and goose. Of animals, the dog, cow, horse, mule, donkey, camel, and mouse, are the favorites. There are also rhymes on the snake and frog, and others without number on places, things and persons,—men, women and children.
Those who hold that the Chinese do not love their children have never consulted their nursery lore. There is no language in the world, I venture to believe, which contains children's songs expressive of more keen and tender
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