Page:The Collected Works of Theodore Parker Discourse volume 1.djvu/162

From Wikisource
Jump to navigation Jump to search
This page has been proofread, but needs to be validated.
RELIGIOUS INFLUENCE OF NATURAL SCENERY.
115

tle of Destiny is girt about these things. To study the laws of Nature, therefore, is to study the modes of God's action. Science becomes sacred, and passes into a sort of devotion. Well says the old sage, “Geometry is the praise of God.” It reveals the perfections of the Divine Mind, for God manifests himself in every object of science, in the half-living Molecules of powdered wood; in the Comet with its orbit which imagination cannot surround; in the Cones and Cycloids of the Mathematician, that exist nowhere in the world of concrete things, but which the conscious mind carries thither.

Since all these objects represent, more or less, the divine mind, and are in perfect harmony with it, and so always at one with God, they express, it may be, all of deity which Matter in these three modes can contain, and thus exhibit all of God that can be made manifest to the eye, the ear, and the other senses of man. Since these things are so, Nature is not only strong and beautiful, but has likewise a religious aspect. This fact was noticed in the very earliest times; appears in the rudest worship, which is an adoration of God in Nature. It will move man's heart to the latest day, and exert an influence on souls that are deepest and most holy. Who that looks on the ocean, in its anger or its play; who that walks at twilight under a mountain's brow, listens to the sighing of the pines, touched by the indolent wind of summer, and hears the light tinkle of the brook, murmuring its quiet tune,—who is there but feels the deep Religion of the scene? In the heart of a city, we are called away from God. The dust of man's foot and the sooty print of his fingers are on all we see. The very earth is unnatural, and the Heaven scarce seen. In a crowd of busy men which set through its streets, or flow together of a holiday; in the dust and jar, the bustle and strife of business, there is little to remind us of God. Men must build a cathedral for that. But everywhere in nature we are carried straightway back to Him. The fern, green and growing amid the frost, each little grass and lichen, is a silent memento. The first bird of spring, and the last rose of summer; the grandeur or the dulness of evening and morning; the rain, the dew, the sunshine; the stars that come out to watch over the farmer's rising corn; the birds