Page:The Columbia River - Its History, Its Myths, Its Scenery Its Commerce.djvu/396

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The Columbia River

series of rude drawings on the smooth, white surface of the granite bluff, the work of some prehistoric artist, unknown to the Indians, and of so ancient date that the lake is now twenty feet below their level. The drawings are of men, goats, tents, and trees, and are in strong red colours, of some very enduring nature. One is ashamed to record that alleged human beings in the form of white tourists have used these curious relics of bygone days as targets to shoot at from their boats, and have ruined some of the finest. Also that some vandal has desecrated the place by painting a glaring advertisement of his ferry underneath.

Although it may well seem to the tourist who has attained the head of Lake Chelan that nature has reached her acme of grandeur, and that it would tax his powers of belief to be informed that there is grander yet, we shall run the risk of saying just that, and bid him join us on side journeys up the mighty cañons of the Stehekin River and Railroad Creek. Lake Chelan being, as already indicated, in the very heart of the Cascade Mountains, and these mountains here attaining an average elevation of seven or eight thousand feet, with dozens of peaks of ten thousand or more, and the countless impetuous streams from those snowy heights having cut their way deep down toward the lake level, it follows as a matter of course that the entire Chelan region, for an area of probably ten thousand square miles, is perfectly gridironed with cañons. Many of them have never been explored or even entered. In them are myriads of lakes, waterfalls, parks, glaciers, and, in fact, every species of mountain attraction. There is no question that within