We are almost sated with sublimities by the time we pass on down below St. Peter's Dome, but one of the most unique scenes of all is close at hand. This is Oneonta Gorge. A swift stream issuing from the cliffs on the south side of the River attracts our attention, and we moor our boat to the roots of a tall cottonwood and make our way inward. The wall is cleft asunder, its sides almost meeting above. At places the smooth sides of the Gorge leave no space except for the passage of the pellucid stream, and we have to wade hip deep to make our way. Showers of spray descend from the towering roof above, and in places we are well-nigh in darkness. Then there is a widening and through the broken wall the lances of sunshine pierce the gloom with rainbow tints. Marvellous Oneonta with the sweet-sounding name! It, too, has its wealth of native myth, of which our narrowing limits forbid us to speak.
And now leaving Oneonta, we can see that we have passed the maximum of the mountains, and are already looking into a broadening valley, with the yet more lordly volume of the river widening toward the sunset. While our eyes are thus drawn toward the river, the diminishing walls of the cañon, and the fair entrance to what may be called the genuine West-of-the-Mountains, we perceive on the Oregon shore a series of waterfalls, higher and grander than has even been the wont, and in the midst of them, far-famed Multnomah. A spacious sweep of circling mountains, a perpendicular wall, indented with a deep recess, and crowned upon its topmost bastions with a row of frightened looking trees, and partially visible through intercepting cottonwoods at the River's margin a moving
