Glyndon paused delightedly, and surveyed the scene before and below with the eye of a poet and a painter. Insensibly, while listening to the bandit, he had wound up a considerable ascent, and now he was upon a broad ledge of rock covered with mosses and dwarf shrubs. Between this eminence and another of equal height, upon which the castle was built, there was a deep but narrow fissure, overgrown with the most profuse foliage, so that the eye could not penetrate many yards below the rugged surface of the abyss; but the profoundness might well be conjectured by the hoarse, low, monotonous sound of waters unseen that rolled below, and the subsequent course of which was visible at a distance in a perturbed and rapid stream that intersected the waste and desolate valleys. To the left, the prospect seemed almost boundless;—the extreme clearness of the purple air serving to render distinct the features of a range of country that a conqueror of old might have deemed in itself a kingdom. Lonely and desolate as the road which Glyndon had passed that day had appeared, the landscape now seemed studded with castles, spires, and villages. Afar off, Naples gleamed whitely in the last rays of the sun, and the rose-tints of the horizon melted into the azure of her glorious bay. Yet more remote, and in another part of the prospect, might be caught, dim and shadowy, and backed by the darkest foliage, the ruined village of the ancient Possidonia. There, in the midst of his blackened and sterile realms, rose the dismal Mount of Fire; while, on the other hand, winding through variegated plains, to which distance lent all its magic, glittered many a stream, by which Etruscan and Sybarite, Roman, and Saracen, and Norman had, at intervals of ages, pitched the invading tent. All the visions of the past—the stormy and dazzling histories of Southern Italy—rushed over the artist's mind as he gazed below. And then, slowly turning to look behind, he saw the gray and mouldering walls of the castle in which he sought the secrets that were to give to hope in the Future a mightier empire than memory owns in the Past. It was one of those baronial fortresses with which Italy was studded in the earlier middle ages, having but little of the Gothic grace of grandeur which belongs to the ecclesiastical architecture of the same time; but rude, vast, and menacing even in decay. A wooden bridge was thrown over the chasm, wide enough to admit two horsemen abreast; and the planks trembled and gave back a hollow sound as Glyndon urged his jaded steed across.
A road that had once been broad, and paved with rough flags, but which now was half obliterated by long grass and rank weeds, conducted to the outer court of the castle hard by; the gates were
