plaisance, and, while forming their happiness, seems rarely, if ever, to constitute their woe. As the Gy is sure only to marry where she herself fixes her choice, and as here, not less than above ground, it is the female on whom the happiness of home depends; so the Gy, having chosen the mate she prefers to all others, is lenient to his faults, consults his humours, and does her best to secure his attachment. The death of a beloved one is of course with them, as with us, a cause of sorrow ; but not only is death with them so much more rare before that age in which it becomes a release, but when it does occur the survivor takes much more consolation than, I am afraid, the generality of us do, in the certainty of reunion in another and yet happier life.
All these causes, then, concur to their healthful and enjoyable longevity, though, no doubt, much also must be owing to hereditary organization. According to their records, however, in those earlier Stages of their society when they lived in communities resembling ours, agitated by fierce competition, their lives were considerably shorter, and their maladies more numerous and grave. They themselves say that the duration of life, too, has increased, and is still on the increase, since their discovery of the invigorating and medicinal properties of vril, applied for remedial purposes. They have few professional and regular practitioners of medicine, and these are chiefly Gy-ei, who, especially if widowed and childless, find great delight in the healing art, and even undertake surgical operations in those cases required by accident, or, more rarely, by disease.
They have their diversions and entertainments, and, during the Easy Time of their day, they are wont to assemble in great numbers for those winged sports in the air which I have already described. They have also public halls for music, and even theatres, at which are performed pieces that appeared to me somewhat to resemble the plays of the Chinese—dramas that are thrown back into distant times for their events and personages, in which all classic unities are outrageously violated, and the hero, in one scene a child, in the next is an old man, and so forth. These plays are of very ancient composition. They appeared to me extremely dull, on the whole, but were relieved by startling mechanical contrivances, and a kind of farcical broad humour, and detached passages of great vigour and power expressed in language highly poetical, but somewhat overcharged with metaphor and trope. In fine, they seemed to me very much what the plays of Shakespeare seemed to a Parisian in the time of Louis XV., or perhaps to an Englishman in the reign of Charles II.
The audience, of which the Gy-ei constituted the chief portion,
