before me! What struggles and passions were going on here—what certamina and motus animorum! Here was Lovel, this willing horse; and what a crowd of relations, what a heap of luggage had the honest fellow to carry! How that little Mrs. Prior was working, and scheming, and tacking, and flattering, and fawning, and plundering, to be sure! And that serene Elizabeth, with what consummate skill, art, and prudence, had she to act, to keep her place with two such rivals reigning over her. And Elizabeth not only kept her place, but she actually was liked by those two women! Why, Elizabeth Prior, my wonder and respect for thee increase with every hour during which I contemplate thy character! How is it that you live with those lionesses, and are not torn to pieces? What sops of flattery do you cast to them to appease them? Perhaps I do not think my Elizabeth brings up her two children very well, and, indeed, have seldom become acquainted with young people more odious. But is the fault hers, or is it Fortune's spite? How, with these two grandmothers spoiling the children alternately, can the governess do better than she does? How has she managed to lull their natural jealousy? I will work out that intricate problem, that I will, ere many days are over. And there are other mysteries which I perceive. There is poor Mary breaking her heart for the butler. That butler, why does he connive at the rogueries of Mrs. Prior? Ha! herein lies a mystery, too; and I vow I will penetrate it ere long. So saying, I fling away the butt-end of the fragrant companion of my solitude, and enter into my room by the open French window just as Bedford walks in at the door. I had heard the voice of that worthy domestic warbling a grave melody from his pantry window as I paced the lawn. When the family goes to rest, Bedford passes a couple of hours in study in his pantry, perusing the newspapers and the new works, and forming his opinion on books and politics. Indeed I have reason to believe that the letters in the Putney Herald and Mortlake Monitor, signed "A Voice from the Basement," were Mr. Bedford's composition.
"Come to see all safe for the night, sir, and the windows closed before you turn in," Mr. Dick remarks. "Best not leave 'em open, even if you are asleep inside—catch cold—many bad people about. Remember Bromley murder!—Enter at French windows—you cry out—cut your throat—and there's a fine paragraph for papers next morning!"
"What a good voice you have, Bedford," I say; "I heard you warbling just now—a famous bass, on my word!"
"Always fond of music—sing when I'm cleaning my plate—learned in Old Beak Street. She used to teach me," and he points towards the upper floors.
"What a little chap you were then!—when you came for my proofs for the Museum," I remark.
"I ain't a very big one now, sir; but it ain't the big ones that do the best work," remarks the butler.
"I remember Miss Prior saying that you were as old as she was."
