A higher object in writing, is to give pleasure, or afford benefit, to an absent friend; it is therefore necessary to place yourself in idea in her circumstances, and consider what she would most wish to know. If her affection for you be such, and such I am aware affection often is, that she has no desire beyond that of receiving intelligence concerning yourself, let your descriptions of your state and circumstances be clear and fresh; so that she may see you as you really are, and, as it were, live with you through the enjoyments or the trials of every day. How strong and lively may be the impressions thus conveyed—how deep the interest they excite, provided only the writer will condescend to be sufficiently simple—sufficiently sincere.
It is, however, only under peculiar circumstances, such as change of scene and situation, that young persons can have much of this kind to communicate. What then are they to say? Shall the minute details of family affairs be raked up, to fill their letters? This is at least a dangerous alternative, more especially as it too frequently induces a habit of exaggeration, in order to make what is called "a good story" out of a mere trifle; and thus, that worst kind of falsehood, which is partly true, becomes perpetuated through the medium of pen and paper.
To avoid this danger on the one hand, and the weariness of writing without anything to say, on the other, would it not be practicable for young women to agree, for their own improvement and that of their friends, to correspond on some given subject, and if unequal to the task of treating it in a style of an essay, they might at least relate to each other some important or amusing facts, which they had met with in the course of their reading, and by relating them in their own language, and then comparing them with that of the author, they would be learning valuable lessons in the
