But let it be remembered, that all this is in connection with a purified state of being. It is where the serpent sin has never entered, or after he has been destroyed. So long as the evil heart is unsubdued—so long as there are desperate passions to awaken—so long as the hand of man is raised against his brother—so long as the cup of riotous indulgence continues to be filled—so long as temptation lurks beneath the rose-leaves of enjoyment, music will remain to be a dangerous instrument in the hands of those who are by nature and by constitution its willing and devoted slaves.
Even to such, however, I would fain believe, that when kept under proper restrictions, and regulated by right principles, music may have its use. There can be no need to advise such persons to cultivate, when young, their talent for music. The danger is, that they will cultivate no other.
Between these individuals, and the persons first described, there is a numerous class of human beings, of whom it may be said, that they possess by nature a little taste for music; and to these the cultivation of it may be desirable, or otherwise, according to their situation in life, and the views they entertain of the use of accomplishments in general. If the use of accomplishments be to make a show of them in society, then a little skill in music is certainly not worth its cost. But if the object of a daughter is to soothe the weary spirit of a father when he returns home from the office or the counting-house, where he has been toiling for her maintenance; to beguile a mother of her cares; or to charm a suffering sister into forgetfulness of her pain; then a very little skill in music may often be made to answer as noble a purpose as a great deal; and never does a daughter appear to more advantage, than when she cheerfully lays aside a fashionable air, and strums over, for more than the hundredth time, some old ditty which her father loves. To her ear it is possible it may be altogether
