and certainly, nothing can be more correct than that the quickening of the powers of observation, the habit of regarding, not only the clear outline, but the relative position of objects, with the extension of the sphere of thought which is thus obtained, is of infinitely more value in forwarding the great work of intellectual advancement, than all the actual productions of female artists since the world began. There are many very important reasons why drawing should be especially recommended to the attention of young persons, and I am the more anxious to point them out, because, amongst the higher circles of society, it appears to be sinking into disrepute, in comparison with music. Amongst such persons, it is beginning to be considered as a sort of handicraft, or as something which artists can do better than ladies. In this they are perfectly right; but how then are they to reap the advantage to themselves, which I am about to describe as resulting from an attentive cultivation of the graphic art?
Amongst these advantages, I will begin with the least—It is quiet. It disturbs no one; for however defective the performance may be, it does not necessarily, like music, jar upon the sense. It is true, it may when seen offend the practised eye; but we can always draw in private, and keep our productions to ourselves. In addition to this, it is an employment which beguiles the mind of many cares, because it never can be merely mechanical. The thoughts must go along with it, for the moment the attention wanders, the hand ceases from its operations, owing to the necessity there is that each stroke should be different from any which has previously been made. Under the pressure of anxiety, in seasons of protracted suspense, or when no effort can be made to meet an expected calamity, especially when that calamity is exclusively our own, drawing is of all other occupations the one most calculated to keep the mind from
